So today was not the best day of my experience since being in Malaysia. I received some unfortunate news that was out of my control, unfair in my opinion, but could do nothing to change the results. The drama club I have been pouring my heart and energy into for over 5 hours a week (plus 3 hours of driving a week) was no longer going to be a part of my weekly schedule. The mentor at my friend’s school (which I was volunteering my time to help out with, yet pretty much lead the program) decided he wanted me out. Competition is in just over three weeks. We were planning to finish blocking the show today (meaning explain where the students will go and basic delivery of lines), yet the mentor wants to write a new script tonight and start over since “we do not have enough time” for the script I have been using with them. This makes absolutely no sense to me and I feel completely disrespected as well as disappointed with how this was dealt with behind my back and relayed to me through my poor friend put in a very uncomfortable position this afternoon.
Flash back to our rehearsal yesterday, things were going fine (in my opinion). Four administrators from the district, invited by this mentor were there to watch. I was the only ETA present and working on the rehearsal at the time. I was planning to cut out some lines since there were multiple complaints that the script was too long (which I cut out about two pages) and spent 20 minutes updating students with the new script. I warmed up the students using words that they were struggling to pronounce as well as have them practice projecting their voices which this mentor complained I was not doing enough of during rehearsals as well as expressed his extreme worry about the students’ progress in those areas. Then I proceeded to review blocking for the last five pages we learned last rehearsal to show our visitors our progress as well as teach six new pages of blocking with the goal to get through the last nine the next day, difficult but totally doable. Unfortunately, 15 minutes of rehearsal was me trying to explain my script, reasoning behind practice, and ideology behind preparation for the competition (mainly them expressing their complaints and worries over and over again without truly listening to my words) which wasted time. Ironically, time being the main factor of concern, time during rehearsal was taken to express this. Additionally, the administrators were talking loudly during the majority of the rehearsal which made it hard to be productive but nonetheless, “the show must go on” and so we did. I left the conversation early in hopes to return to rehearsal and be more productive with the students, which I was for the last ten minutes. At the end of rehearsal, I checked back in with the mentor to make sure concerns were covered or answered and that sentiments still remained positive towards the drama process. He expressed that everything was fine. He thanked me for all of my hard work and dedication, seeming to be sincere and looking forward to the next day. We discussed the positive progress that happened as well as my motivational speech I gave to the students about practicing their lines every night and getting ready for the upcoming competition, in which he seemed responsive in more positive ways than I had seen in the past two weeks. I left for the night, both of us with the expectation of me returning tomorrow (today, Monday April 20th) for another day of rehearsal. Or so I thought.
I cannot say what his exact intentions were however, the events that unfolded today, makes it seem as though there was an underlying agenda or change of thought (either way in which I was not regarded) to take a different path. I was put in charge of this program solely with the verbal expectations that this mentor, my friend (his ETA), and my other ETA friend (his housemate) would assist me during this process. I asked and reconfirmed with the mentor what he wanted to be in charge of which was nothing and his role in this process which was to just assist when needed. Each time we discussed this, he confirmed that he wanted me to be in charge of everything. I took his concerns into consideration. I took his advice although he and I both knew his knowledge of drama was minimal compared to mine, but nonetheless I wanted to respect him and his concerns and still have room for learning myself, especially in a foreign competition. I tried to be as accommodating for him in this experience as best I could. Yet, when the panic set in for him and something switched today, my time, effort, expertise, opinion, nor consideration came into play. Nor did the betterment of the students, in my opinion.
I am personally frustrated about this situation however I am more hurting for the students. They have put in a lot of hard work over the past month and now it is all being wiped away. I am not really sure what my next appropriate step should or will be at this point. I am meeting with the mentor and said ETAs next Sunday. I want to support these students. I want to express my feelings about how things were handled. Yet, it is not my school, these are not my students, I was volunteering my time, there was no contract, just verbal agreement for the terms, and I am busy as it is with my other commitments. This was just one of those extraordinary disappointments that are harder to bounce back from than a hot and rainy day.
There have been challenging times during this experience in Malaysia. I have tried to gain perspective and look at the positives through every negative situation. From flat tires to flus to classes or after-school activities being cancelled. This was a push just a bit too far from what I am able to just “bounce back from” without standing up for these students and what I think is right. From a human standpoint, I was disregarded as a dedicated person, pushed out for no fault of my own, and deceived during this process. I hurt for the students. I am disappointed in the leadership. I am not sure how much of this is a cultural miscommunication, misunderstanding, barrier, or otherwise versus a pure act of authority being exercised for reasons unknown to me. The pictures throughout this post are great moments I shared with these students.
There English was progressing. They were quick learning. They were new to drama yet their confidence was rising. The students were so eager to work hard and do well! We were so far into the script and they were just getting comfortable with the ideas and the story. We shared passionate, powerful emotions together through various moments from the warm-up to the reflection talk at the end of rehearsals. My design team was even coming together with ideas.
I am supposed to sit back, allow this to happen, and resume after May with this drama. Our work is basically being excused, for a new play written over night, and supposedly put together in four rehearsals. It is assumed I am supposed to hear about the students cramming this play in, support them, and return to mine for the leftovers of drama after competition is over. I am not upset about not going to competition with “my” work as the “director” but I believed in the play and in the students. We were making something powerful together about secondary students’ identity issues with real problems teens face today all around the world.
We were taking the inner-thoughts of teenagers and personifying them through “selfie” characters who mirrored the named characters throughout the show both showing the projected, vulnerable, and facade images of these caricatures of secondary students wanting what every teen at that age does: to be accepted and feel good about themselves. All in a second language for these students in less than two months- it was incredible! We presented these issues but also turned them on their head and made the audience question the real issues at hand: how serious some of these problems are for teens, as well as how to conquer them. It also addressed the universal idea of these issues across cultures (being that there were references both to America and Malaysia). Their collective deepest fear is suggested by Nicole in a moment of defending the “new and improved” her that her friend Sam is warning her is not the true Nicole that made her so wonderful originally. “But [people are] noticing. Besides, when it comes right down to it, don’t we all end up alone?” Then she grows into realizing the importance of making a positive and true image of yourself as well as embracing who you really are despite your bruises and blemishes “I can’t take back the things I’ve done, but I can change the things I’m going to do. Or at least I can try.” As one of the other characters is suffering from battling cancer this quote is shared “The last selfie [Tony] took was beautiful. [His] eyes winkled. The corners of [his] mouth were turned up. [He] was alive. And best of all, [he] wasn’t alone.” These friends journey together to find out what is really important in life, for themselves, and how to fit into their true skin. “It’s better to be yourself to risk being alone and find those who can truly like you. Live in the moment and keep the pictures for your memory.” This is such an important message we were ready to share at the state level of competition. I hope this message can be heard again through our play #Selfie in another way. Even if it just reached the students and stays there- it still was heard.